ABOUT AN ENEMY OF THE PEOPLE
Dr. Stockmann attempts to expose a water pollution scandal in his home town which is about to establish itself as a spa. When his brother, the mayor, conspires with local politicians and the newspaper to suppress the story, Stockmann appeals to the public meeting—only to be shouted down and reviled as ‘an enemy of the people’. Ibsen’s explosive play reveals his distrust of politicians and the blindly held prejudices of the ‘solid majority’.
“The McCarthy nightmare had begun. . . . Miller was under suspicion for Communist activities. . . . The blacklist seeps into the core of his adaptation. . . . It’s a skillfully crafted work . . . a reminder of what has happened, what can happen, and what must never happen again.”
-John Guare, from the Introduction
“Miller has released the anger and scorn of the father of realism.”
-Brooks Atkinson, The New York Times
ABOUT THE AUTHOR
Henrik Ibsen (1828–1906) is often called “the Father of Modern Drama.” Born in Norway in 1828, he enjoyed successes with the verse dramas Brand and Peer Gynt before embarking on his great 12-play cycle of society dramas, which included A Doll’s House and Ghosts. After 21 years of self-imposed exile in Italy and Germany, Ibsen died in Norway.
ABOUT THE AUTHOR (adapted by)
Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge, A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock (1980). He also wrote two novels, Focus (1945) and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. His later work included a memoir, Timebends (1987); the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peter’s Connections (1999); Echoes Down the Corridor: Collected Essays, 1944–2000; and On Politics and the Art of Acting (2001). He twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Miller was the recipient of the National Book Foundation’s 2001 Medal for Distinguished Contribution to American Letters, the Prince of Asturias Award for Letters in 2002, and the Jerusalem Prize in 2003.